HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 27, 1834 vasi color lithography became the language

color lithography became the language in which his vision found its most complete form

On the back

The representation of the rhythms of collective labor indeed finds significant precedents in other works of his

slightly opaque

HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 27, 1834 vasi color lithography became the languageBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New